-
Laying In The Grass Is A Gas, Baby, Can You Dig ItThe world was overwhelming, and the night air was beautiful. I lay in the grass to sooth my soul. This self-portrait is double exposed with a large grid of images, a screen shot of my camera roll, though those images fade into the figure here. There is, and quite apparently so, an otherworldly glow to my glasses, and I wear the apron I cook in every night.
792,792Not For Sale -
Beckmann/Ballerina864,864Not For Sale
-
After Leonardo650,650Not For Sale
-
Layin' In The Grass Is A Gas, Baby, Can You Dig It III792,783Not For Sale
-
After DuBuffet
This image uses two grids, one in 9 parts, one in 16. The second grid is one of branches in snow taken with a macro lens. One can see the circles of the lens that have remained, and the branches within them, like the ghost images in a monotype. The composition and palette brought to mind Dubuffet's self-portrait paintings, hence, the title.
792,792Not For Sale -
Hand on Heart
This image truly seems to blur the line between painting and photography (although there are no lines here, only areas of color). The second, superimposed image has faded from sight in this piece; only its impact on the self-portrait remains. The high- key/synthetic details of my signifiers, glasses and mouth, are here, along with large, seemingly painted areas of color, very close in value.
792,792Not For Sale -
City in a Can864,864Not For Sale
-
Space Cadet720,720Not For Sale
Close Information
Description
Show Thumbnails
Show Thumbnails
Exit Stack View